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{"id":573737631807,"title":"STEVEN HILL WORKSHOP","handle":"steven-hill-workshop","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eSteven Hill Workshop - Throwing, Spraying and Cone 6-8 Electric Firing\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eKrueger Pottery Supply is proud to welcome Steven Hill for a three day throwing, glazing and firing workshop on (\u003cspan style=\"color: #ff2a00;\"\u003e\u003cfont color=\"#ff2a00\"\u003e\u003cb\u003ePOSTPONED - New dates will be posted when available. \u003c\/b\u003e\u003c\/font\u003e\u003c\/span\u003e)!\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eI love the variation that occurs naturally across the surface of salt, soda and wood fired pots. I salt fired for 2 years in the early 70’s, but spent the next 38 years reduction firing in gas kilns. During the time I reduction fired I learned to create atmospheric surface qualities through careful blending and layering of sprayed glazes.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003eIn December 2008 I discovered that reduction plays a rather insignificant role in the finished look of my pottery. The cascading rivulets of ash-like glazes and mysterious microcrystalline mat surfaces work just as effectively in oxidation as they do in reduction! Even the rich brown and orange colors that I have always attributed to reduction firing are possible in oxidation.\u003cbr\u003e\u003cbr\u003eThis workshop is designed to help you get the most out of YOUR glazes, applied to YOUR pots and fired in YOUR electric kiln. I will demonstrate the basic techniques of spraying and also spend time with more advanced theories of layering and blending glazes. I will cover ^6-8 glaze firing and briefly discuss lowering the maturation point of ^10 glazes to ^6-8. I will suggest ways to experiment with the layering process to create your own unique look. \u003cbr\u003e\u003cbr\u003eOn the first day I will throw, assemble, apply slip and discuss my philosophical approach towards making functional pottery. On the second day I will demonstrate my personal techniques of spraying and layering glazes and students will glaze their pottery. We will then load the kiln(s) and fire overnight to  cone 6-8. On the third day I will lead discussions on firing schedules and the equipment required to set up your own spraying studio and on further glaze experimentation. The workshop will end with unloading the kiln(s) and discussing the work.\u003cbr\u003e\u003cbr\u003eI will bring fired examples of finished work to discuss with students and they will be available for purchase.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eSchedule\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eDay 1\u003c\/strong\u003e - Friday, May 29, 2020 - 10a - 5p\u003cbr\u003e Steven will throw a few pots, assemble and quick dry them. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDay 2\u003c\/strong\u003e - Saturday, May 30, 2020 - 10a - 5p\u003cbr\u003e Steven will lecture on spraying and demonstrate the techniques involved. Participants will glaze in the afternoon and we will load the kiln(s) and fire overnight.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDay 3\u003c\/strong\u003e - Sunday, May 31, 2019 - 10a - 5p\u003cbr\u003eDiscussions on spraying techniques and the equipment to set up a spraying studio. Ideas for glaze experimentation after the workshop. Unload kilns and discuss results\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003e$300\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp style=\"text-align: center;\"\u003eParticipants should bring in 4 – 6 small – medium size cylindrical pieces ready to be glazed. They should be in the range of mug to small vase size (no more than 6-8”) They may also bring 1-2 small horizontal pots (bowls, plates or tiles), to see how the glazes react on non-vertical pieces. My work will be raw glazed (bone dry) and single fired, but participants should bisque fire their work if they are used to glazing bisque ware. The clay used should be ^6 or ^10 porcelain (preferred choice) or white stoneware. If students use a darker stoneware or red clay it will make my glazes dark and dingy.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003eSteven Hill received his BFA from Kansas State University in 1973 and has been a studio potter since 1975. Steven's work is exhibited and sold in nationally juried shows and is featured in many ceramics books. He has conducted over 200 workshops throughout the United States and Canada and has written 11 ceramics articles; \"An Approach To Single-Firing\" (January 1986, Ceramics Monthly), \"Long Distance Runner\" (December 1989, Studio Potter), \"Don't Put The Flames Out\" (February 1994, Ceramics Monthly), “Pulling Handles”, (Spring 1998, Pottery Making Illustrated), “Where You’ve Been Is Good And Gone, All You Keep Is The Gettin’ There” (April 1998, Ceramics Monthly) , “Spraying Glazes”, (March 2002, Pottery Making Illustrated) “Common Ground: A Showcase of National Artists-In-Residence” (Ceramics Monthly, January 2006), and\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e“An Approach to Single Firing – Further In”), (January 2006, Ceramics Monthly), “Rethinking Ceramics Workshops”, (Ceramics Monthly, May 2007), “The Eight Month Workshop: A Journey of Discovery”, (Ceramics Monthly, June 2008). Steven’s most recent article, “Atmospheric-Like Effects for Electric Firing” is in the March 2012 Ceramics Monthly.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003eIn 1998 Steven co-founded Red Star Studios Ceramic Center in Kansas City, MO and he co-founded Center Street Clay in Sandwich, IL in 2006. Currently Steven is doing what he does best… Making pots, writing about ceramics, teaching workshops and letting someone else take care of business! 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STEVEN HILL WORKSHOP

$300.00
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Steven Hill Workshop - Throwing, Spraying and Cone 6-8 Electric Firing

Krueger Pottery Supply is proud to welcome Steven Hill for a three day throwing, glazing and firing workshop on (POSTPONED - New dates will be posted when available. )!

I love the variation that occurs naturally across the surface of salt, soda and wood fired pots. I salt fired for 2 years in the early 70’s, but spent the next 38 years reduction firing in gas kilns. During the time I reduction fired I learned to create atmospheric surface qualities through careful blending and layering of sprayed glazes.


In December 2008 I discovered that reduction plays a rather insignificant role in the finished look of my pottery. The cascading rivulets of ash-like glazes and mysterious microcrystalline mat surfaces work just as effectively in oxidation as they do in reduction! Even the rich brown and orange colors that I have always attributed to reduction firing are possible in oxidation.

This workshop is designed to help you get the most out of YOUR glazes, applied to YOUR pots and fired in YOUR electric kiln. I will demonstrate the basic techniques of spraying and also spend time with more advanced theories of layering and blending glazes. I will cover ^6-8 glaze firing and briefly discuss lowering the maturation point of ^10 glazes to ^6-8. I will suggest ways to experiment with the layering process to create your own unique look.

On the first day I will throw, assemble, apply slip and discuss my philosophical approach towards making functional pottery. On the second day I will demonstrate my personal techniques of spraying and layering glazes and students will glaze their pottery. We will then load the kiln(s) and fire overnight to  cone 6-8. On the third day I will lead discussions on firing schedules and the equipment required to set up your own spraying studio and on further glaze experimentation. The workshop will end with unloading the kiln(s) and discussing the work.

I will bring fired examples of finished work to discuss with students and they will be available for purchase.

 

Schedule

Day 1 - Friday, May 29, 2020 - 10a - 5p
 Steven will throw a few pots, assemble and quick dry them. 

Day 2 - Saturday, May 30, 2020 - 10a - 5p
 Steven will lecture on spraying and demonstrate the techniques involved. Participants will glaze in the afternoon and we will load the kiln(s) and fire overnight.

Day 3 - Sunday, May 31, 2019 - 10a - 5p
Discussions on spraying techniques and the equipment to set up a spraying studio. Ideas for glaze experimentation after the workshop. Unload kilns and discuss results

$300

Participants should bring in 4 – 6 small – medium size cylindrical pieces ready to be glazed. They should be in the range of mug to small vase size (no more than 6-8”) They may also bring 1-2 small horizontal pots (bowls, plates or tiles), to see how the glazes react on non-vertical pieces. My work will be raw glazed (bone dry) and single fired, but participants should bisque fire their work if they are used to glazing bisque ware. The clay used should be ^6 or ^10 porcelain (preferred choice) or white stoneware. If students use a darker stoneware or red clay it will make my glazes dark and dingy.

 

Steven Hill received his BFA from Kansas State University in 1973 and has been a studio potter since 1975. Steven's work is exhibited and sold in nationally juried shows and is featured in many ceramics books. He has conducted over 200 workshops throughout the United States and Canada and has written 11 ceramics articles; "An Approach To Single-Firing" (January 1986, Ceramics Monthly), "Long Distance Runner" (December 1989, Studio Potter), "Don't Put The Flames Out" (February 1994, Ceramics Monthly), “Pulling Handles”, (Spring 1998, Pottery Making Illustrated), “Where You’ve Been Is Good And Gone, All You Keep Is The Gettin’ There” (April 1998, Ceramics Monthly) , “Spraying Glazes”, (March 2002, Pottery Making Illustrated) “Common Ground: A Showcase of National Artists-In-Residence” (Ceramics Monthly, January 2006), and  “An Approach to Single Firing – Further In”), (January 2006, Ceramics Monthly), “Rethinking Ceramics Workshops”, (Ceramics Monthly, May 2007), “The Eight Month Workshop: A Journey of Discovery”, (Ceramics Monthly, June 2008). Steven’s most recent article, “Atmospheric-Like Effects for Electric Firing” is in the March 2012 Ceramics Monthly.


In 1998 Steven co-founded Red Star Studios Ceramic Center in Kansas City, MO and he co-founded Center Street Clay in Sandwich, IL in 2006. Currently Steven is doing what he does best… Making pots, writing about ceramics, teaching workshops and letting someone else take care of business! His new home is 323 Clay in Independence, MO.

 

 

stevenhillpottery.com